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Participant 2006-2007
Karla G. Roalandini-Beyer

Architecture Within Chaos
Ever is All
Mexico : A Point of Encounters
Reconsidering Devastaion
Remember

Takarazuka : Construcción de Gčnero



Historiadora de Arte y curadora independiente, nacida en México. Ha participado y organizado diversas exposiciones tanto en su país como en el extranjero, al igual que proyectos editoriales como coordinadora, y autora. Paralelamente, se desempeña como directora (El Maestro, Eugéne Ionesco) productora y actriz de teatro (Mi vida con la ola, Octavio Paz) habiendo obtenido su formación en las artes escénicas en Nueva York, Barcelona y ciudad de México. Su interés principal es analizar e investigar la relación semiótica entre los espacios de exposición, las obras y el público a través de los cuales se da un vínculo teatral.

Historienne de l’art et curatrice indépendante, née à Mexico. Elle a participé et organisé différentes expositions dans son pays et à l’étranger ainsi qu’à des projets éditoriaux en tant que coordinatrice et auteur. Parallèlement elle a étudié le théâtre à New York, à Barcelone et à Mexico et développé une carrière d’actrice, productrice et metteur en scène0. Elle a été l’assistante de production et l’actrice de pièces telles que Mi vida con la ola de Octavio Paz dans laquelle elle avait un rôle et a mis en scène. Le Maître de Eugène Ionesco. Ses intérêts se portent sur la recherche de relations entre la sémiotique, le théâtre et les espaces d’exposition, les oeuvres et le public.

Art historian and independent curator, born in Mexico, Karla has participated and organized different exhibitions both in her country and abroad. She has also done editorial work for projects as a coordinator and author. During that time, Karla studied theatre at New York, Barcelona, and México city developing a career as an actress. She has participated as the assistant producer and actress for productions, such as, Mi vida con la ola by Octavio Paz and directed Le Maître by Eugéne Ionesco. Karla’s current interests include researching the semiotic and theatrical relation between spaces for exhibition, works of art and public.



Double interview : Karla & Haeju by Lucia

(nov 2006)



 

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